Written for the parish of St Martin’s Church, Heaton, Bradford Christmas 1996
In all, a cast of 35 took part in a production that used a cleared chancel/sanctuary and the front of the nave as the main performing areas |
| |
|
| Opening Carol |
O come all you children - followed by a prayer |
| Scene 1 |
THE PROLOGUE
Old Mary tells her story |
td>
| Scene 2 |
THE ANNUNCIATION
Young Mary
Angels with dirty faces: Hail, O Mary, full of graces... |
| Scene 3 |
JOSEPH AND MARY
A glow in the darkness [21] |
| Scene 4 |
CEASAR’S PROCLAMATION
Herald: Hear ye, hear ye
3rd King
All: Little Donkey, little Donkey |
| Scene 5 |
THE INNKEEPERS
Angels with dirty faces: Bethlehem is busy
Innkeepers with Mary and Joseph |
| Scene 6 |
THE BIRTH OF JESUS
Old Mary
Silent tableau: Mary, baby, young shepherds Mary’s lullaby [15] |
| Scene 7 |
HEROD MEETS THE KINGS
Junior Choir: Searching [22] |
| Scene 8 |
IN THE STABLE
Sheepgirl/whole company
Junior Choir: Such things we have seen [19] |
| Scene 9 |
EPILOGUE
Old Mary |
| |
|
CAST in order of appearance
|
| |
Old Mary
Young Mary
Joseph
Herald
3rd King
Innkeepers
8th Innkeeper
Herod
Servant
Young Shepherd
1st King
2nd King
1st Shepherd
2nd Shepherd
3rd Shepherd
1st Angel
Angels
Shepherds/Chorus
Treble solos |
| |
|
| PROLOGUE |
| |
|
| Mary1 |
The trouble with being surrounded by clever people is that they’re all writing books! Mark started it with his Gospel. Paul from Tarsus was scribbling his letters for years, Matthew and Luke are both getting stuff together for their new Gospels and my dear friend John here reckons he’ll get his finished one day too.
But my story, old Mary’s story - now that is worth telling... the story of the start of it all, the arrival of my Son Jesus. [Lights fade and come up again quickly as Mary2 “comes out of” Mary1 and dances into the centre of the Church/chancel steps] |
| |
|
| SCENE 2 The Annunciation |
| |
|
| Mary2 |
[Half singing] “It’s a lovely day today, it’s a lovely day today ... dum dum, de dum de dum, de dum de dum de dum, de dum ... [voice trials off] No it isn’t! I’ve got a right tummy ache - and this is just another boring morning, grinding the corn for tonight’s bread.
[Wistfully] What wouldn’t I give for something really exciting to happen - let’s think: for Joseph to give me a date for the wedding, or a trip - to go and see Elizabeth say - or a long journey to somewhere where things really happen ... in fact ANYTHING - ANYTHING - except making bread... [sings “It’s a lovely day today... until drowned out by the arrival of the angels] |
| |
|
| SCENE 2a The Annunciation |
| |
|
| |
‘Angels’ come skipping in from the right, holding hands in a line. Make circles around young Mary, standing centre stage.
Pace: fairly fast!
Hail O Mary, full of graces
we are the angels with dirty faces!
We’ve come to say that the rumblings in your tummy
are to tell you that you’re going to be a mummy!
You will have a boy, Jesus is his name.
From now on life’ll never be the same.
But do not be afraid, don’t be sad, do not fuss,
just remember this, you heard the news from US!
|
| |
|
| SCENE 3 Joseph and Mary |
| |
|
| Mary2 |
[sitting down] “Do not be afraid, don't be sad, do not fuss!” Are they joking? I’ve only just got engaged, there’s no date for a wedding yet; and now the angel says I’m pregnant! |
| |
|
| Joseph |
[creeping up on her] Who says you’re pregnant! |
| |
|
| Mary2 |
[taken by surprise and embarrassment, stammering] O God! - I mean: God - no, the angels - in the sky - they said it’s God’s baby and [standing up] O Joseph, what am I going to tell people...? Joseph, you are listening to me aren’t you? You believe me, don't you? Joseph!? |
| |
|
| Joseph |
[Pause. Then Joseph speaks very slowly] Well, I know it’s not my baby - and you’re too, um, ‘innocent’ to do anything silly so ... yes ... I do believe you. [With more confidence] Yes, it must be God’s son, just like the angel said. |
| |
|
| Mary2 |
Phew! Thank goodness for that! [a bit sarcastically] Yes. It’s obvious. I’m going to be the first virgin in history to have a baby. Easy really! |
| |
|
| Joseph |
Now do you want the good news? |
| |
|
| Mary2 |
[sitting down quickly] More good news? I don't think I can take much more of this! |
| |
|
| Joseph |
Well, I’ve just heard that your cousin Elizabeth is going to have a baby too. |
| |
|
| Mary2 |
But she’s ancient! |
| |
|
| Joseph |
Ancient maybe, but she’s pregnant all the same. |
| |
|
| Mary2 |
[Looking away from Joseph] Lord, when I said I wanted something exciting to happen today, did you really have to give it to me all at once? |
| |
|
| SCENE 3 Who’s there (21) |
| |
|
| |
A glow in the darkness, a light in the sky,
a voice sounds across the night air.
A heavenly sound, as though from on high.
Who’s there? Who’s there? Who’s there?
The voice now is louder, though still far away,
it tells of a baby to bear;
and bids me to question in my little way,
Who’s there? Who’s there? Who’s there?
The light is now moving, the voice drifts away,
a stillness and peace O so rare.
My life is now full, my heart longs to say:
He’s there, he’s there, he’s there.
Music: Song 21 from ‘Sing Song’, a collection of 25 new Christmas songs selected and edited by Alison Hedger Ó 1993 Golden Apple productions (Chester Music Limited), edited. |
| SCENE 4 Caesar’s Proclamation |
| |
|
| Short pause after the song finishes. Mary and Joseph in pale light. Suddenly the ‘crowd’ emerges from room to the left, room to the right and rear of nave. Herald, with mock trumpet, to front of nave; others around Joseph and Mary in chancel and down steps. Short but very loud trumpet fanfare on organ] |
| |
|
| Herald |
Hear ye, Hear you
You must listen, you must listen.
Hear ye, Hear ye.
This is what the Emperor says:
I don’t know how many you are,
so get yourself counted before the end of this year.
Back to home town, cities too,
then I’ll know how much to tax you! |
| |
|
Chorus/
Herald |
Hear ye, hear ye.
You must listen, you must listen.
Hear ye, hear ye.
This is what the Emperor says: |
| |
|
| Herald |
Some of you are lazy folk,
and this is what I call a joke:
if you think you can register here, think again:
it’s ninety miles to Bethlehem! [HA, HA!! over chorus] |
| |
|
| Chorus |
[sadly and quietly];
Hear ye, hear ye
You must listern,you must listen.
Hear ye, hear ye
This is what the Emperor said. |
| |
|
| SCENE 4a The Third King |
| |
|
| 3rd King |
(entering from left, pushing his way through the crowd to a space in front nave [Point A]) Excuse me, excuse me! What’s going on here?
Will somebody tell me what’s going on? Have I been invited... ?
I think I’m late, I’m late, for a very important date.
No time to say ‘hello’, ‘goodbye’,
I’m late, I’m late, I’m late! |
| |
|
| Chorus |
No you’re not. You’re early. Go away! |
| |
|
| 3rd King |
O bother. I’m sure the star shone this way... |
| |
|
| |
Everyone except Mary and Joseph leave the stage. Chair removed. Congregation sing carol: ‘Little Donkey’. |
| |
|
| |
Little donkey, little donkey, on a dusty road,
got to keep on plodding onward with your precious load:
Been a long time little donkey, through the winter’s night -
don't give up now, little donkey, Bethlehem’s in sight
|
| |
Ring out those bells tonight, Bethlehem, Bethlehem;
follow that star tonight, Bethlehem, Bethlehem. |
| |
Little donkey, little donkey, had a heavy day -
little donkey, carry Mary safely on her way.
Little donkey, carry Mary safely on her way,
little donkey, carry Mary safely on her way.
|
| |
|
| SCENE 5 At the Inn |
| |
|
| |
Eight innkeepers across the stage in the upper chancel. Some hold hidden placards showing [*] [**] and [*****].
The Crowd passes from side to side and back again. Angels sit/crouch on chancel steps. |
| |
|
| Angels |
Good hotels are easy found in ordinary times
with nice comfy beds and a choice of wines.
; But Bethlehem is busy; busy, busy, busy.
Bethlehem is busy on that very famous night.
Some want 5 stars [*****], some want two [**]
some will take a one star [*] with an outside loo!
But Bethlehem is busy; busy, busy, busy.
Bethlehem is busy on that very famous night.
For Mary and Joseph, any place will do,
Mary isn’t fussy, there’s a baby due!
But Bethlehem is busy; busy, busy, busy.
Bethlehem is busy on that very famous night. |
| |
|
| SCENE 5a The Innkeepers |
| |
|
| Joseph |
[to IK1] Excuse me. Mary and I have travelled many miles and I just wondered if you and your good lady could offer us a bed for the night? We’d like a double bed... |
| |
|
| I. Keeper 1 |
I’m very sorry, we’re full. |
| |
|
| Joseph |
Sorry to have bothered you.
[to IK2] Excuse me, Mary and I have travelled many miles and I just wondered... |
| |
|
| I Keeper 2 |
We’re full. |
| |
|
| Joseph |
Sorry to have...
[to IK3] Excuse me, Mary and I have...
|
| |
|
| I Keeper 3 |
Not a chance! |
| |
|
| Joseph |
Mm
[to IK4] Excuse me, Mary... |
| |
|
| I Keeper 4 |
Full! |
| |
|
| Joseph |
[to IK5] Excuse.. |
| |
. |
| I Keeper 5 |
Full too! |
| |
|
| Joseph |
[to IK6] Have...? |
| |
|
| I Keeper 6 |
No. |
| |
|
| Joseph |
[to IK7] Any chance of...? |
| |
|
| I Keeper 7 |
No, no, NO! |
| |
|
| Joseph |
[to IK8] Any chance...? |
| |
|
| I Keeper 8 |
Well dearie, there’s nothing in the bed line I’m afraid - sheets and duvets and cold running water and all that, but I can see you’re a bit desperate - baby wise and all (aside) Poor thing, she does look a bit bushedso I’ll tell you what... |
| |
|
| Joseph |
Yes? |
| |
|
| I Keeper 8 |
You can use the shed, round the back. |
| |
|
| Joseph |
Oh, thank you, thank you, thank you! |
| |
|
| I Keeper 8 |
(walking backwards to avoid being kissed) But there is one problem. |
| |
|
| Joseph |
What now? |
| |
|
| I Keeper 8 |
It’s got donkeys and horses in it. |
| |
|
| Joseph |
That’s all right, we don't mind. |
| |
|
| I Keeper 8 |
Yes, well, the trouble with them is that bring in ... ants |
| |
|
| Joseph |
OK |
| |
|
| I Keeper 8 |
And fleas |
| |
|
| Joseph |
OK |
| |
|
| I Keeper 8 |
and cockroaches |
| |
|
| Joseph |
OK |
| |
|
| I Keeper 8 |
and rats |
| |
|
| Joseph |
OK |
| |
|
| I Keeper 8 |
and mice |
| |
|
| Mary |
(groans) I need to lie down! |
| |
|
| I Keeper 8 |
Well, suit yourself dearie; it’s round the back. Just follow the smell... |
| |
|
| |
All leave the stage |
| |
|
| SCENE 6 The Birth of Jesus |
| |
|
| Mary |
Forget all about those expensive Christmas cards, with pretty animals, plenty of light and adoring angels floating around! The birth of Jesus was no picnic, I can tell you!
When Joseph and I got into that stable, it really was worse than anywhere we’d ever been before. And of course I was nine months pregnant and I’d been riding that donkey for nearly a week! I was so stiff and - so sore, I could hardly walk!
Being my first, I didn’t know how long it would be before the baby came, so while Joseph tied up the donkey and rearranged the place to give us a bit of privacy (and to stop the howling draughts coming in from the courtyard) I unpacked the small bundle of clothes and a few of the bits and pieces I had with me, and found a dry-ish corner to lie down in, away from where the animals were still eating.
Before I knew what was what, the pains had started to get regular. I called out for my own mother - I don't know why - she was a hundred miles away - but I felt so alone, so miserable. In fact I started to cry, and then I started to scream and ... and then I saw that funny old innkeeper’s wife with two or three of her friends. ‘It’s alright, my dear, we’ve come to help’, she said. ‘We’ve delivered hundred of babies; done one and you’ve done them all’ ...
Then one of the others said: ‘Do not be afraid, don't be sad, do not fuss, just remember to push and leave the rest to us!’ I thought I’d heard that somewhere before... ?
Anyway, we were. OK I mean. I don’t know what happened to Joseph. I think he went to talk to the other men; but somehow in that little back shed, by the light of a tiny oil lamp, with those old women I’d never met before, our precious little son Jesus was born. [Tableau begins]
Now I know every mother thinks their child is the most beautiful thing in the world, but I can’t begin to tell you just what we all felt about this little baby in my arms. There was something about him which just bowled you over. I’m telling you the truth now, but all those women said the same: “This one’s a bit different, isn’t he?” A bit different...
And he was, wasn’t he? A bit different. And it all started there in that stable. Poor kid, we put some straw into a manger-thing, and he just lay there, looking at everyone - me, the old women, Joseph when he came back, the men he’d been talking to, a few shepherds... maybe angels for all I know; they all wanted to see this little baby, born in the middle of the night, in their little old shed. In Bethlehem. |
| |
|
| SCENE 6 Mary’s lullaby (15) |
| |
|
| |
Mary and Joseph are mid stage, Mary sitting. The young shepherds, angels and other members of the chorus, have moved to sit on the carpet nearby, during Mary1’s description of the birth. |
| |
Sleep my son, sleep,
The stars softly peep.
They shed their bright light
in the darkness of night.
If you sleep now my son,
they will shine ‘till dawn comes.
If you sleep now my son,
they will shine every one.
Hush now, don't cry.
Can you hear the wind sigh?
Hear its rustling breeze
as it steals through the trees.
If to sleep you will go,
it will waft soft and low.
If to sleep you will go,
it will caress you so. |
| |
Music: Song 15 from ‘Sing Song’, a collection of 25 new Christmas songs selected and edited by Alison Hedger Ó 1993 Golden Apple productions (Chester Music Limited), edited |
| |
The lights go out and the stage is cleared. |
| |
|
| SCENE 7 Herod meets the Kings |
| |
|
| |
The early part of the scene takes place behind a curtain, at the far end of the chancel: |
| |
|
| Herod |
Are you a complete idiot? Massage is supposed to be relaxing! I don’t know where you learned the job but I feel like I’ve had the entire Roman army marching over me! Go on then, up a bit - down a bit ... that’s better ... |
| |
|
| Servent |
[at the chancel steps, rather in the manner of Jeeves] Sire, there are two men to see you? |
| |
|
| Herod |
Do they do massage? |
| |
|
| Servent |
I don’t think so, they look more like the managers of our local Indian restuarant. |
| |
|
| Herod |
[As he speaks, the curtain is opened to reveal Herod on the couch, being massaged] Then take ‘em away, my friend, take ‘em away: Ha Ha! |
| |
|
| Servent |
Very droll, sir. Very amusing. But I don’t think they would take no for an answer. They were very insistent that you see them. They said they had been studying the stars for many years and wondered ‘when the new King was to be born’? [Kings start to walk from back of Church] |
| |
|
| Herod |
Now what!! [Finding and putting on dressing gown] What the deuce is all this about? Send them in, send them in. [Two kings continue until they are standing at the foot of the chancel steps] |
| |
|
| 1st King |
My Lord, we bring good things from the east... |
| |
|
| Herod |
[feigning amusement] What have you got - Chicken Tikka, Prawn Korma, Lamb Dansak, big papadoms!? |
| |
|
| 2nd King |
[Ignoring the jibe] Most mighty king, the stars in the night skies reveal that the mightiest Lord of all is to be born. It is our pleasure and our delight to bring him our treasures, our worship and our loyalty until the end of time. |
| |
|
| Herod |
[now serious, and troubled] But there is no baby due to be born in my palace, no baby at all. |
| |
|
| 1st King |
But the stars never fail us, O mighty One. |
| |
|
| Herod |
Have you never been wrong? |
| |
|
| 2nd King |
Never. |
| |
|
| Herod |
[with clear sarcasm] Then I must be for ever in your debt for revealing to me the wonderful news. Go where-ever the stars lead you and when you have found the new king, bring me word, that I too, may come and worship him. |
| |
|
| Kings |
[bowing low and walking backwards down the aisle] As you command, O mighty One; as you command. |
| |
|
| Herod |
Quite. [Returning to the couch; the curtains are shut] Get someone to follow those men. I think we’re in for a spot of bother. But right now, I think I need another work-over. [Pause] Ouch. Not that hard! |
| |
|
| 3rd King |
[coming in from left] O dear, O dear, O dear, O dear. I think I’ve messed up again! |
| |
|
| Servent |
[Standing mid stage] I’m sorry sir, were you expected? |
| |
|
| 3rd King |
I’m late, I’m late, for a very important date... |
| |
|
| Servent |
If you were with the other gentlemen, I’m afraid you’ve missed them... |
| |
|
| 3rd King |
I think I’m right;
I mean, I think you’re right.
O Bother! |
| |
|
| Servent |
I suggest THAT way, Sir. [Pointing down the nave] |
| |
|
| SCENE 7 Searching (22) |
| |
|
| |
Junior choristers stand on chancel steps left, Angels come from left and stand behind them, making sure Mary and Joseph are clearly seen centre stage: |
| 1 |
Searching, searching, for a little baby
that is born this day in Bethlehem
For we have discovered that this child
will be ruler of all men.
Travelling over mountains, over deserts,
guided from on high,
Hoping that a star will show us where you lie.
Searching, searching, for a little baby
that is born this day in Bethlehem
For we have discovered that this child
will be ruler of all men.
|
| 2 |
Herod, Herod, tell us have you heard about
the new born baby, King of the Jews?
“When you find Him, come and tell me
so that I can go and worship too.”
See the star has stopped above a stable,
can this be the place?
Let us go inside and gaze upon his face.
Hallelujah, Hallelujah,
we have found the baby King.
As we knelt and bowed our heads
we heard the angels sing. |
| |
Music: Song 22 from ‘Sing Song’, a collection of 25 new Christmas songs selected and edited by Alison Hedger Ó 1993 Golden Apple productions (Chester Music Limited), edited. |
| |
|
| SCENE 8 In the Stable |
| |
|
| Mary |
Don’t people realise that having a baby is hard work! We’ve not had five minutes peace since he was born - and we’ve completely run out of tea bags! |
| Joseph |
But hasn’t it been wonderful how all of these people have wanted to see him. |
| Mary |
Well I don’t think Bethlehem is all that it was cracked up to be - perhaps there’s nothing else to do round here? |
| Joseph |
O no, Bethlehem is a wonderful place. Haven’t you noticed, Jerusalem is only five miles away but this brilliant star in the sky is shining here, not there. (A loud knock at the door, Joseph continues without responding) No, God chose this place, David’s own city for his son to be born in. |
| Mary |
(somewhat exasperated) Joseph, there somebody else at the door, go get it, there’s a dear... [Sheepgirl at Door] |
| Sheepgirl |
(in a small voice) Excuse me, is there a special baby born here? |
| Joseph |
Look Mary, a little shepherd girl has come to see Jesus. |
| Mary |
O good: what a relief! There’s only one this time. I think I can cope with that. (To Sheepgirl in a patronising, childish kind of voice) Would you like to see the baby Jesus - or, if you’re very good, you could even hold him. Would you like that? |
| Sheepgirl |
(putting hands around mouth, shouting loudly, to the left of stage) OK folks, we’re in: it’s the right house! |
| |
Whole stage filled with everyone except Herod, two shepherds and the three kings. All talk at once, loudly, pushing to get a better view. Activity but no noise as shepherds speak.
During the melee, the three shepherds enter from left and stand sideways in front of Point A [front of nave]. |
| Shepherd 1 |
Well, what do you make of all this, then? |
| Shepherd 2 |
I don’t like it. It’s all bound to end in tears. |
| Shepherd 3 |
(Looking round) It’s a bit of dump this, innit? |
| Shepherd 1 |
(Ignoring him) But it’s been such a wonderful night. I haven’t run down those hills like that for years... and won’t you remember that sky for the rest of your days - with the sky lit up by all those stars, that music in the heavens and armies of (waving hands about) mm mm .. |
| Shepherd 3 |
(interrupting) Angels and archangels? |
| Shepherd 1 |
yes, them too, singing their heads off, telling us to go and see this incredible thing in a stable... |
| Shepherd 2 |
. I know, I know, telling us of peace and joy for all who believe. Well I’m not saying I do [Pause] and then again, I’m not saying I don’t. |
| Shepherd 3 |
Aw, for goodness sake make you mind up! |
| Shepherd 2 |
[Slowly] I think, mi-self, that it’s been a bit too much to take in. |
| Shepherd 1 |
And I think it’s been a fantastic night on them hills and I can’t wait to tell the missus when I gets home. |
| |
The Shepherds move up and merge with the Crowd. |
| |
|
| SCENE 8 In the Stable (19) |
| |
|
| 1 |
We were on a hill,
we were guarding our sheep,
sitting very still,
nearly half asleep.
Then a big surprise, there were angels everywhere
and music filled the air. |
| C |
Such things we have seen!
Angels in the sky
singing praise to God on high.
Such things we have heard!
Glory be to God
and peace to men on earth. |
| 2 |
Should we run and hide?
We were full of fear.
Was it in a dream
that they did appear?
But we heard the news “in the town of Bethlehem
a King is born today.” |
| C |
Such things we have seen!
Angels in the sky
singing praise to God on high.
Such things we have heard!
Glory be to God
and peace to men on earth. |
| |
Music: Song 19 from ‘Sing Song’, a collection of 25 new Christmas songs selected and edited by Alison Hedger Ó 1993 Golden Apple productions (Chester Music Limited), edited. |
| |
|
| |
3K runs up the aisle |
| 3rd King |
(Holding a copy of an A-Z) Square B7 - mm, yes, there it is, I’m sure this is it. A few wrong turns but here we are - so where are the other two? (Calls out) Melchior, Balthasar, where are you? |
| 1st/2nd King |
(Puffing and panting a bit as they stride up the aisle) We’re here, Caspar ... we’re coming... |
| 3rd King |
Good, splendid; now do you know what to do? |
| 1st King |
No, but I’m sure it will come to me when we get inside. |
| |
Three kings line up in single file. The whole crowd parts from around Mary and Joseph, leaving them able to receive the Kings. All kneel around the Holy Family. |
| Joseph |
Most noble sirs, we welcome you. |
| 1st King |
O Holy Lord of heaven and earth,
the star foretold this holy birth;
for years its light our path has led
so we might find this lowly bed.
The gift I bring
is gold for a King:
accept, I pray, this offering. |
| |
1K moves to the side to make way for 2K to kneel before the crib |
| 2nd King |
Most noble son of David’s line,
whose birth is human yet divine;
our prayers have surely now been heard
and God has sent, in you, His Word.My gift is incense -
perfume intense,
sign of your transcendence. |
| |
2K moves to the side to make way for 3K to kneel before the crib |
| 3rd King |
While gold and incense are your due
the work of Satan will pursue
you till in death you freely give
your precious life, that all may live.
Myrrh is my token,
for your body broken,
that hope be awoken. |
| |
One of the angels reads from Point A [front of nave]: |
| Angel 1 |
Our story now is almost done,
and lots of it has been great fun.
But kings - go not to Herod’s court
he will not pray here as you thought.
He’ll kill this child by end of day -
so go on home another way. |
| |
|
| SCENE 9 Epilogue |
| |
|
| Mary |
Can you see me with Joseph, so simple and strong,
as I sit in that stable, and with a glad song
rock little Jesus, so special and small,
asleep in the manger - he’s King of us all.
Can you see how the shepherds and most of their sheep
are watching in silence, the young child asleep.
Can you see how the kings bow so low that each crown,
touches gently the floor where their gifts are laid down.
Can you see that this stable - so dark and so bare -
is alight with young angels with Barbie-like hair!
A Christmas card scene - p’raps painted in oil -
no cobwebs or rubbish or things that could spoil:
Was it really like that - tell me, what do you think?
Was everything perfect - and Jesus’ skin pink?!
And then what of Bosnia, Nicaragua too? [adapt as appropriate]
Is there a link, is there a clue?
For Jesus’ birth was not “long ago”,
with robins and mincepies and deep, pure, white snow;
he was born to announce a new reign of love,
the gift from his Father who looks down from above.
His message was always of joy and of peace;
calling his children their warfare to cease.
As Jesus grew up, as he left that bare manger,
he faced every hurt, every slight, every danger.
so we must not keep him a baby so small,
but like him develop, to love one and all. |
| |
As the company clears the stage, the whole congregation sings the Carol
‘In the bleak midwinter’ |
| |
|
| |
THE END |